ATTRACTIONAL & How To Keep the Focus Off of the Musicians

By Bob Whitesel, 7/6/14

While researching young growing churches I found that they often diligently work to keep the focus off of the musicians (and subsequently more on the supernatural presence of Christ). At Mars Church in Grandville Michigan the platform was in the middle of the sanctuary with congregants on four sides when I visited. It might be expected that the band would face outward on each of the four sides. But instead the band faced inward toward each other. Turning their backs upon the audience allowed the focus to be upon the large screens above them with the lyrics. The result was the focus was on the lyrics, not the singers.

At Vintage Faith Church in Santa Cruz the band was off stage out of the limelight on my forts visit. A simple cross was central on the platform. Dan Kimball even preached from the side of the stage, mentioning that his purpose wa to allow the cross to take the central focus.*OC Cover 64K

Not long afterward, I found a similar strategy at Solomon’s Porch in Minneapolis. Here, like Mars Hill, the stage was in the middle and the audience surrounded it on four sides. But the band was behind the audience along one of the walls.

In these and many more visits to young congregations over the years I have found similar strategies to downplay the musicians and up-play the presence of Christ (for more details on these and other examples see my “Inside the Organic Church” by Abingdon Press).

Here are two ways you can start to get the focus off of the musicians.

1) Don’t put the musicians onstage and/or on the video screens. I believe this propensity for focusing/broadcasting the musicians comes from our cultural infatuation with concerts and popstars. It is hard to concentrate on Christ when a 15ft tall image of a musician looms above our heads, even if the lyrics are superimposed.

Instead, put the musicians off stage or off center, and put an icon relevant to the message/theme center stage (such as Vintage Faith’s platform-central cross).

2) If you don’t have room to move the band from the central platform, take the front lights off of them. Instead, put backlighting on the band (that means lighting them from behind with the lights shining on their backs). This creates a silhouette or outline of the band and worship leaders where their posture of worship is visible but not the nuances of their facial expressions. Some think musicians will not be able to see their music this way. But actually backlighting puts more light on their sheet music and less on any unintended facial frustrations.

The idea of putting the band offstage is not new. 35+ years ago I noticed the same strategy at one of the central churches of the 1960s Jesus Movement. Calvary Chapel was the California epicenter of this movement and was the magnet for California musicians both famous or unknown. But Pastor Chuck Smith regularity led the worship himself wit the musicians tucked away from the platform. The strategy took the focus away from the many professional yet hidden musicians and upon the singing of the 7,000 attendees.