by Bob Whitesel D.Min., Ph.D., 11/5/15.
Linked below is an insightful article by James Ward, an accomplished and popular Christian musician about the challenges, yet benefits, of blending cross-cultural worship. In my view, we should have such cross-cultural worship expressions. Yet I also emphasize that we need culturally diverse worship expressions too, in order to connect with what Ward calls “the heart language” (pp. 44-45) of more people among today’s increasingly diverse cultures.
And so, this is a helpful article, written by a musician/scholar who a Caucasian pastor once asked, “I want to have a parish church, uniquely positioned to meet the needs of our immediate community. How do begin to do that in our worship if our neighbors are black?” (Ward, 2012, p. 40) James Ward’s answer became the basis for this article: http://globalworship.tumblr.com/post/8744200959/strategies-for-cross-cultural-music-worship-by
Take a look at this article and then answer with colleagues, one of the first two questions and then also the third.
1. How can cross-cultural worship break down pejorative stereotypes?
2. How can cross-cultural worship fit into a church that is, like the example mentioned by the Caucasian pastor, seeking to reach out to a changing demographic in the neighborhood?
3. Finally if you can only answer one of these questions, answer this one. Ward says, “As wonderful as it may sound, cross-cultural worship seems not to be for everyone” (p. 46). Thus, how do you balance in a church “heart language” worship with “cross-cultural” worship?
I think Ward has some good thoughts about “heart music” which he defines in ethnomusicological nomenclature as “a musical context leaned in childhood that most fully expresses one’s emotions” (pp. 44-45).